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Non-Racialism in South Africa
0At the time of his death in August 2012 Neville Alexander was undoubtedly one of South Africa’s foremost proponents of the philosophy of non-racialism. He had devoted his life to fighting against the evils of racism, sexism and economic injustice. He understood how these social realities not only divided but also ranked human beings in terms of human worth and value. He saw how these realities diminished the whole society, both the perpetrators and victims. And so he gave over his life as a scholar and a political activist to challenging these realities.
This volume brings together the reflections of a group of activists and scholars on the significance of Neville Alexander to the cause of freedom and justice in South Africa. The reflections are essentially the keynote speeches and the responses to them that were made at a conference in Alexander’s honour held at the Centre for Non-Racialism and Democracy at the Nelson Mandela Metropolitan University in July 2013.
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Non-racialism in South Africa
0At the time of his death in August 2012 Neville Alexander was undoubtedly one of South Africa’s foremost proponents of the philosophy of non-racialism. He had devoted his life to fighting against the evils of racism, sexism and economic injustice. He understood how these social realities not only divided but also ranked human beings in terms of human worth and value. He saw how these realities diminished the whole society, both the perpetrators and victims. And so he gave over his life as a scholar and a political activist to challenging these realities.This volume brings together the reflections of a group of activists and scholars on the significance of Neville Alexander to the cause of freedom and justice in South Africa. The reflections are essentially the keynote speeches and the responses to them that were made at a conference in Alexander’s honour held at the Centre for Non-Racialism and Democracy at the Nelson Mandela Metropolitan University in July 2013.
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Noordwaartse Beweging van die Boere voor die Groot Trek (1770-1842)
0Hierdie reeks van 4 historiese boeke deur P.J. van der Merwe herleef weer deur middel van digitale druk-tegnologie. Die oorpronklike boeke is geskandeer en is nou beskikbaar in druk- en PDFformaat, as ‘n stel of individueel.Die ander boeke in die reeks is Die Noordwaartse Beweging van die Boere voor die Groot Trek (1770’1842) en TREK – Studies oor die Mobiliteit van die Pioniersbevolking aan die Kaap (1770’1842).
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On Record
0Popular Afrikaans music artists have done well in post-apartheid South Africa and enjoy the enthusiastic support of loyal fans. This support is fuelled by a complex set of emotions linked to “e;being Afrikaans”e; in a culturally pluralistic society. In On Record, van der Merwe investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals – artists and listeners – against a background of fundamental societal and political change. It regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship, and the post-apartheid invocation of Afrikaner nostalgia and white victimhood. Ultimately, On Record provides an uninterrupted account, and a critique, of the entire history of recorded popular Afrikaans music up to the present.
Print: View Print Version
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On Record
0Popular Afrikaans music artists have done well in post-apartheid South Africa and enjoy the enthusiastic support of loyal fans. This support is fuelled by a complex set of emotions linked to ?being Afrikaans? in a culturally pluralistic society. In On Record, van der Merwe investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals – artists and listeners – against a background of fundamental societal and political change. It regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship, and the post-apartheid invocation of Afrikaner nostalgia and white victimhood. Ultimately, On Record provides an uninterrupted account, and a critique, of the entire history of recorded popular Afrikaans music up to the present.
eBook: View eBook Version
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Onderweg- ‘n musiekstorie van 40 jaar
0Jannie du Toit vertel die verhaal van sy opwindende loopbaan in Afrikaanse musiek. Foto’s, koerantknipsels en briewe illustreer die verhaal van ligte Afrikaanse musiek wat veertig jaar gelede nog in kinderskoene was, tot waar Jannie vandag ‘n legende in die Afrikaanse musiekbedryf is.
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Ons ongehoorde soort
0Die opstelle in die boek gee erkennning aan Antjie Krog se veelsydigheid as skrywer deurdat dit ondersoek instel na die werk wat Krog op die gebied van die poasie, prosa en vertaling doen. Daar word aandag gegee aan belangrike temas in haar werk en rekenskap gegee van bepaalde ontwikkelinge in haar oeuvre. Die fokus val op haar verhouding met die literore tradisie waarbinne sy skryf, haar interaksie met vroulike literore voorgangers en vroue uit die Suid-Afrikaanse geskiedenis, haar bemoeienis met die transformasies van identiteit binne die Suid-Afrikaanse en Afrika-konteks, haar pogings om deur vertaling die ruimte van Afrikaans uit te brei en haar gedurfde hantering van vroulike liggaamlikheid.
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Oom Bey for the Future
0EOLook towards the future not as a disaster but as a challenge, not as a problem, but as an opportunity … we have a common future: live, work, build together.O
Beyers Naud
A Future Beyond Apartheid
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Opera in Cape Town: The Critic’s Voice
0The writings of art critics voicing their opinions on opera in newspaper reviews have charted a unique performance history of opera in Cape Town. In post-apartheid South Africa, these critical voices have particularly engaged in public discourse around the transformation of opera as an art form amidst a myriad of socio-political shifts in the country. This book traces the trajectory of these discourses and initiates a conversation on the development of a distinctly South African operatic expression and aesthetic in the 21st century. These published perspectives of art critics, who reviewed opera for the local daily newspapers Cape Times and Die Burger from the 1980s until now, portray the transformational power of opera in a country burdened by a history of colonialism and apartheid but determined to showcase a democratic Orainbow nationO on stage. Themes covered in the book include the dominance of Western European opera as a measure of taste, blackness on the operatic stage, the transformation of opera after apartheid, the Africanisation and localisation of opera, and the performance of indigenous South African operas.